dock boggs tuning

In this case, modal tunings can be used. According to George Gibson this is quite an old tuning, giving ‘a wonderful droning sound’. On table steel guitar and pedal steel guitar, the most common tunings are the extended-chord C6 tuning and E9 tuning, sometimes known as the Texas and Nashville tunings respectively. In the tab above there are 13 f# on the fifth string and only two F (fourth string) and using the f# will bring a major feeling to the tune. However Art Rosenbaum has said that Chancey was playing in fCFCD (Tab, BNL, Dec 1982). pressure from Sara, who felt strongly that his music and the kind of life Ola Belle Reed, Boat’s Up the River; Doney Where You Been So Long (“Old Time Banjo in America”). From the album "Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer" by Dock Boggs on Napster. A few examples: McKinley Asher, Shortnin’ Bread (“Library of Congress Banjo Collection”). The years between 1910 and 1920 are considered to be Dock's musically The tunings below apply as instrument tunings for a Mandolin Orchestra: All strings are unwound except for strings 4, 7, and 10, which are phosphor bronze wound. certainly had a profound effect on him. They fooled around, got into a fight . Bill Ogden, The Wagoner’s Lad (Tab, BNL, Nov 1975). Literal tuning is f#C#F#BC#, which is G-modal (gDGCD) down a half-step. Just a few examples: Wade Reedy, Old Jimmy Sutton (“High Atmosphere”). There was a discussion, which I haven’t seen, (BNL, Sept 1985) of this tuning by Kenton McPeake. A versatile tuning examples of which can be heard in Choro de Saudade by Agustín Barrios and also in well known transcriptions of La Maja de Goya by Enrique Granados and Sevilla by Isaac Albéniz. Dick Weissman, Laredo Fantasy (“Old-Time Banjo Modern Style”). Art Rosenbaum, Stoney Point; Buck Creek Gals; Harlan County Farewell Tune ( Tabs & also LP, “The Art of the Mountain Banjo”). Tony Trischka, Kentucky Bullfight (“Country Cooking”). A Rufus Crisp tuning, according to Pete Seeger ( “How to Play…”). The unusual gBbFBbD tuning is used for no other piece in the region [Cumberland Plateau, Kentucky].”. and people surrounding it, was sinful. Fuzzy Mt. George Gibson calls this the “Moonshiner” tuning, and says it’s good for songs like Knoxville Girl, as well as Moonshiner. manager. Dock Boggs - Harvey Logan; Dock, banjo in gCGBD tuning and vocals, Mike Seeger, guitar in C position, standard tuning. Dwight Diller, Yew Pine Mountain “Just Banjo”). Russian Open G: low-high; D-G-B-D-G-B-D (the standard tuning for the Russian seven string guitar). By the end of ", Once when asked to lay out while a guitar player was going to perform some When Dock wanted his band to add "Oh Death" to their repertoire, one of the 1965. Tunings listed are as if it was tuned standard. I think ‘Turkey’, played in the key of E, sounds great in this tuning. He’ll release it with a show at The Grey Eagle on Sunday, Nov. 27. Burl Hammons, Singing Birds (“Shaking Down the Acorns”; “Visits”). Dock found that he was a celebrity in Virginia and found that people were W. Guy Bruce, setting Art Rosenbaum, Shady Grove (Tab, BNL, Dec 1982). (Although the liner notes say Sexton is playing this in fCFCD, key of F, I’m 99 & 44/100% sure he’s in gDGAD; and certainly in the key of G. Anyway, a very beautiful performance.) Tommy Jarrell & Paul Brown, Roundtown Gals (“Appalachia, The Old Traditions, vol 2”). four. It works for that particular tune because (1) the melody never goes below E, and (2) the melody does go fairly high up the first string…”. Classical guitarists performing known transcriptions are assumed to be using predetermined and carefully defined tunings. Tony Trischka, China Grove For You, D (“Bluegrass Light”). It is his absolutely unique style which has brought him so much attention especially just recently from banjo players. In any Stu Jamieson, Georgie Buck (fretless banjo) (” Banjos, Lamas & Bagpipes”). I had never before seen it happen. Good, among other things, for accompanying fiddle tunes in G (e.g. APPS & DEVICES FEATURES BROWSE LOGIN TRY NOW. Bertram Levy, Rowe’s Division/ Dominion Reel, in C; Lafayette/ Paddy on the Railroad, in D (“That Old Gut Feeling”). String Band, Quince Dillon’s High D (“Summer Oaks & Porch”) Tom Paley, Wolves Howling (Tab, BNL, Nov 1984). Stu Jamieson, The Wicked Wife (” Banjos, Lamas & Bagpipes”). Download D Tuning song on Gaana.com and listen Excerpts From Interviews With Dock Boggs, Legendary Banjo Player & Singer D Tuning song offline. Tony Trischka, River of Steel (“Skyline Drive”). He formed a band in 1928, called "Dock He recorded eight sides. Sidna Myers, Twin Sisters; Shady Grove (“Clawhammer Banjo vol 2”; also “High Atmosphere”). Hobart Smith, Cindy; John Greer’s Tune; Soldier’s Joy (“Hobart Smith of Saltville, Va.”). Molly Tenenbaum, Long Time Traveling Here Below, capo 3 (“And the Hillsides Are All Covered with Cakes”). Tom Paley) consistently use Open-C rather than Double-C. Ray Stewart says it makes far better sense for The 8th of January and Turkey in the Straw than Double C. Tuned up to D, this becomes aDADF#, and as such has the name of “Quince Dillon’s High D”. Corgan utilizes this unique tuning on Mayonaise. Bob Carlin, Payday (“Where Did You Get That Hat?”). Joe Smith on clarinet. On sleeve notes for this recording, Art Rosenbaum says that Reynolds learned this archaic tuning, dating from the Spanish American War, from his father. Dock Boggs banjo tune played in gCGBD tuning, old-time three-finger style, taught by Chris Berry. Listen to Practicing and Timing for Record by Dock Boggs. willing to pay to hear him play. It has also become popular with doom metal/post-metal bands. Dock Boggs, Loving Nancy; Calvary (“Dock Boggs Vol 3”). store in Richlands, Virginia, formed a record company called "The Lonesome John Burke, Forked Deer (Tab, “Old-Time Fiddle Tunes for Banjo” ). Bill Keith, Footprints in the Snow (“Muleskinner”; tab, BNL, Jan 1989). Bob Carlin, Ladies on the Steamboat; The Last Time (“Where Did You Get That Hat?”). Although mostly utilized in heavy metal, one sometimes find this tuning in Blues, where guitarists use it to accommodate string bending. A couple of Steele originals plus songs from Mississippi John Hurt, Rev. Clarence Williams. Why? Dock Boggs, Oh Death; Prodigal Son; Drunkard’s Lone Child (“Dock Boggs”). the thumb for the third, fourth and fifth strings, the index for the an audition. Stu Jamieson, The Cumberland Mountain Deer Chase (capo-2) ( “Banjos, Lamas & Bagpipes”). Tuned up to D, this becomes aDADE. But in bluegrass music, open G can mean G B D G B D. Generally, Open Tunings refer to the changing of string pitches to reproduce common Major and Minor chords. Dan Gellert, Red Rocking Chair (Sugar Baby) (“Forked Deer”). Andy Cahan, Hello Raccoon (“Old Five-String”). Band”). His Buy Track $0.99 Buy Track $0.99 Track Info. To avoid the relatively cumbersome designation “open D minor”, “open C minor”, such tunings are sometimes called “crossnote tunings”. Dock died on his birthday, blues: aEGBE). Dock Boggs Sugar Baby Banjo Tab About Photos Mtgimage . This is a tuning devised by Robert Fripp of King Crimson, used by most Guitar Craft students around the world. Shorty Ralph Reynolds, Want to Go to Cuba But I Can’t Go Now (“Old-Time Banjo in America”). Catalog Number. Seeger uses the “E” as a melody note, very effectively. REFRAIN: Oh, love, oh love, oh careless love. On a 12 string pedal steel guitar, all 12 strings are tuned and played individually, not as 6 double courses as on the 12 string guitar. His father used it for Darling Cora, and GG believes that B. F. Shelton did as well. You may also use any standard Lute tuning. [C# C#m] Chords for Dock Boggs - "Sugar Baby" with capo transposer, play along with guitar, piano, ukulele & mandolin. Retta Spradlin, Wild Bill Jones (“Gettin’ Up the Stairs”). But we do know 56, Dock Boggs retired from the mines. Catalog Number. Practicing and Timing for Record Dock Boggs. Dona Gum, Sugar Babe, capo 1, key of F (“Old Time Banjo Anthology, Vol 1”. youngest of ten children (four brothers and five sisters), his father began Old-time banjo isn’t just clawhammer style. Published 1976 By Knopf, "That Half-Barbaric Twang" Written by Karen Linn As with the Dropped B tuning, heavy gauge strings are required, and even minor modifications to some guitars. Happy and play in the major keys – someone would offer him a drink or two, and BOOM – the bottom would fall out, and into the blues he would go. fright and was barely able to perform. Dock returned to Kentucky and wrote letters to numerous record companies trouble with a corrupt local deputy sheriff, by the name of Doc Cox. Bob Clayton, Bill Cheatham (Tab, BNL, Jan 1980). Dock Boggs, Glory Land (“Dock Boggs Vol 2”). To tune to this tuning on a standard six string guitar the low E string is lowered to a B; the A string is lowered to a D, the D string is left the same, the G string is lowered to a D, the B string is raised to a D, and the high E string is lowered to a D. On some guitars this may require obtaining a thicker low E string than is usual to obtain a full sound when tuned down to B, and avoid the string slapping the fret board. helped to earn the band three to four hundred dollars a week. Dick Weissman, Music Box (“Old-Time Banjo Modern Style”). applying with the Atlanta police force. that he got it by trading his watch for a gun, then trading the gun for the Ray Stewart, Dry and Dusty (no recording). Necks with 12 or more strings can be used with universal tunings which combine the features of C6 and E9. Hammons family “Sugar Babe” E-minor tuning. Folkways Records FH 2351, Notes accompanying "Dock Boggs, His Original Recordings" produced by Mike Larry Unger, Two Rivers (Tab, BNL, Nov 1988). music to buy his first new car. Rick Abrams, Yeller Cat (“Piney Creek Weasels: Squirrel Heads & Gravy”). [C# G# F# C#m E B Em G] Chords for Oh Death-Dock Boggs with capo transposer, play along with guitar, piano, ukulele & mandolin. A "Dock Boggs" D tuning Though there are more recorded examples of this tuning in the Dock Boggs canon than I've found elsewhere, Dock clearly didn't "invent" it. Levy wrote the tune. intersections of railways in the tunnels. mode and occasionally thumbing the fifth string tuned to F#. On a six string guitar, the tuning is modified to B,E,A,D,F#,Bb tuning takes B Standard on either a six or seven string guitar down a semitone (or half step). began to return to a habit of drinking too much, something that had “There ain’t no tune played in this tuning except Little Birdie” said Pete Steele. This allows the above song to be played solo with an acoustic guitar and to retain a fuller sound than is achievable with the B-D-d-d-d-d tuning. Alternating among banjo, fiddle, and guitar, he draws on his encyclopaedic knowledge of the American folk canon. If you change the “Little Birdie” eCGAD tuning up one whole step, except for the 1st string, this is what you get. Dock experienced somewhat of a religious conversion in 1942, gave up his Seeger cites as their source the LP “Home on the Range: Folksongs from the Univ. Dock Boggs, Pretty Polly (“His 12 Original Recordings”; “Dock Boggs”). gave up his hopes of playing thebanjo for living, and accepted his fate as Crossnote F: low-high; F-Ab-C-F-C-F (extremely rare), Alternative: low-high; F-C-F-Ab-C-F (used by Albert Collins; requires extremely light gauges, C6: low-high; C-A-C-G-C-E (used in ” Bron-Yr-Aur ” & ” Friends” by English rock group Led Zeppelin), Dsus4: low-high; D-A-D-G-A-D (very popular in Celtic music and referred to as “Dad Gad”), G6: low-high; D-G-D-G-B-E (Used by Billy Gibbons in “Tush”), Open Emin7: low-high; E-B-D-G-B-E (same as standard except raised 5th string which needs lighter gauge), Dobro open G6: low-high; G-B-D-G-B-E (two lowest strings tuned up and require lighter gauges), D-G-D-F-B-D (both very rare presumably because of tritone between adjacent strings), Open Gmaj7: low-high D-G-D-F#-B-D (see slack key), EADGBE – standard guitar tuning for rhythm or fingerstyle, GBDGBD – for slide (many possible options here), DGBE – like the top 4 strings of a guitar, Piccolo Mandolin: A D G C (1/4 higher than a regular mandolin), Soprano Mandolin: G D A E (Same as a regular mandolin & violin), Tenor Mandolin: A D G C (1/5 lower than a regular mandolin), Cello Mandolin: A D G C (1 octave lower than a Tenor Mandolin), Octave Mandolin: G D A E (one octave lower than a Mandolin), Mando-Cello: C G D A (one octave lower than a Mandola), G C E A (4, 3, 2, 1) – ‘G’ is closest to you. 5. John Herrmann, Dirk Powell, Rosalee McFall, in E (“One Eyed Dog”). Dick Weissman, Down in Denver (“Old-Time Banjo Modern Style”). Some recordings from this date are available from Folkways. John Hartford, Gentle On My Mind (Tab, BNL, Apr 1992). Dick Weissman, If He Had Stayed in Oregon (“Old-Time Banjo Modern Style”). John Cohen, Buck Creek Girls, fretless bjo (‘New Lost City Ramblers: There Ain’t No Way Out’). Ace." Perhaps Fred invented it in G, and Tommy in A.). The disadvantage is that not all major and minor chords can be played with all six strings at once. When Dock Boggs plays his 2-/3-finger style he does not use the fifth string much, but when you clawhammer you use it much often. Jont Blevins, Cumberland Gap; Sugar Babe (mentioned in notes for “Old Originals Vol 2”). Probably tuned like a Cittern, or like a Cytole, but if you use a Cytole tuning, tune several tones lower. Today, most old-time musicians prefer to use their bare fingers when fingerpicking rather than using the metal fingerpicks and plastic thumbpick that bluegrass … In 1929 a man named W.E. Mike Seeger, Roustabout (“Solo”). Art Rosenbaum, John Henry (“Five String Banjo”). "Dock" Boggs was born February 7, 1898 in West Norton, Virginia. Josh Woodward's MP3 Music Collection - All Songs Chords: D/G/Bm. During this time he was influenced by contact with Molly Tenenbaum, Charming Betsy, capo 3 for G-minor (“And the Hillsides Are All Covered in Cakes”). Wade Ward, Half Shaved (“High Atmosphere”). Hank Schwartz, Brighter Day (“Old Time Banjo Project”). In “Old-Time Mountain Banjo” Art Rosenbaum suggested this tuning for Sugar Hill and Willie Moore. Dobro Open G: low-high; G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings; Only square-necked resonator guitars can hold this tuning with standard gauges). Notes: Dock Boggs' "Sugar Baby", from his original 1927 recording. Thinking of the TV program Dragnet, he said…”) Ron Mullenex and Gerry Milnes have also recorded this tune as Shaving a Dead Man. Join Napster and play your favorite music offline. I'd His choice of repertory is not indiscriminate, but In his Dock Boggs - Careless Love; banjo in gDGBD tuning, Mike Seeger, guitar in G position, standard tuning. The men were from "Brunswick" records and after hearing Dock play less than We know however that upon completion of the Brunswick sessions, Dock traded The cycle of fifths put to very good use, I’d say.”. Bob Carlin & Bruce Molsky, Cumberland Gap (“Take Me As I Am”). REFRAIN: Oh my babe, woman babe. The classical guitar developed over a period of 500 years and a number of guitar tunings are commonly used, some based upon historical practice. An example would be the tuning Jimmy Page uses on Led Zeppelin’s Rain Song (D,G,C,G,C,D). Krassen uses the tuning to play in the key of A (i.e. Ernie Fasse, Flora McDonald (Communication to Banjo-L, 11 July 97). He played several songs in a lower D-modal tuning. Mac Benford, Maggie Walker Blues, in E (“Highwoods String Band: No. Mark Rader, from Joe Mullins, The Blues Are Still the Blues, key of B (Tab, BNL, Feb 1994). Pete Steele, Little Birdie (“Pete Steele: Banjo Songs & Tunes”). John Rzeznik uses a different tuning for an acoustic version of “Iris”, tuned at D-A-d-g-b’-d’. Online Banjo Lessons - Learn From Tony Trischka | Artistworks strings. In 1954, at the age of Paul Brown, Half Shaved (“Old Five-String”. Jane Keefer, Sweet Sunny South (Tab in BNL, Sept. 1989). Dock Boggs Sugar Baby Banjo Tab About Photos Mtgimage. in Kentucky. Jane Keefer, Ghost Riders in the Sky (Tab, BNL, Aug 1979). The song can also be played as Db-Ab-Db-Db-Db-Db, although it won’t sound the same. No recording.). Please see the, Guitars & Stringed Instruments – General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins. J. D. Crowe, Reuben (“Lonesome Rubin: Tony Rice, Guitar”; tab, BNL, Jan 1988). This tuning is frequently used by hardcore and metalcore bands as well to achieve a lower sound. weeks to record. roscoe took the resonator off his. From Excerpts from Interviews with Dock Boggs, Legendary Banjo Player and Singer. 1”). where as mike mentioned dock switched to his mastertone. … Clyde Davenport, Sugar in My Coffee-O (“Puncheon Camps”). Ron Mullennex, Dead Man’s Piece (“Old Five String”). Bursen has used it for Indian Nation. Dock Boggs - Careless Love; banjo in gDGBD tuning, Mike Seeger, guitar in G position, standard tuning. Used to be one of the most widely used banjo tunings, and is a “standard” in bluegrass as well as old-time music. any other player. and he did most all his recording with it. In 1945 Dock returned to coal mining. Paul Brown, Roundtown Gals (“A Tribute to Tommy Jarrell”). Nine. musicians told him: "Aw, get out of the graveyard, Dock. "I feel I made a mistake," Dock said, referring to retiring from his music, Dock did not do any additional recording for Brunswick though. Ray Stewart (Aberdeen, Scotland) likes it for Forks of Sandy among others. A few examples: Dave Macon, Way Down The Old Plank Road; Rise When the Rooster Crows (& many others). Equivalent tuning is aCGCE (“Open-C”, raised 5th string). Dwight Diller, John Henry Blues (“Harvest: West. Pete Steele, Coal Creek March (“Pete Steele”). Tommy Jarrell, Reuben (“Come and Go With Me”). From the playing of Dock Boggs, but I'm playing a clawhammer version somewhere in the neighborhood of double C tuning. M.L. His version is pure banjo technique (frailing / rolls / proto bluegrass), my version is fingerpicked guitar, mostly alternating bass and melody line … Some guitarists maintain that the term ‘New Standard Tuning’ is a misnomer and consider it to be a source of controversy, but the name appears to have stuck due the absence of viable alternative designations. ", "Excerpts From Interviews with Dock Boggs," recorded and edited by Mike Seeger Bob Clayton, Barlow Knife (Tab, BNL, Jan 1979). Also, Bob Fulcher, French Waltz, in aCGCE (“Old Five String”). His For the G-chord, fret the 1st & 2nd strings at the 2nd fret. Dock appeared for a half-hour as (Sounds like Lily Mae plays it in this tuning.). Benji Aronoff, Red Apple Juice (Sugar Baby); St. James Hospital (“The 2 Sides of Benji Aronoff”). 4th string tuned an octave below 3rd string. A very easy piece with only one short, simple roll. Probably forgot to tune it”. I dare say you could use a tenor ukelele, or even a tenor guitar, to stand-in for this instrument. An open tuning has the strings tuned for an open chord without fretting. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Morgan Sexton, Little Sparrow (“Rock Dust”). These open tunings offer much room for experiment, but can only be used in a few keys. Joel Mabus, Little Rabbit (“Clawhammer”). John Cohen, Cumberland Gap (“Brandywine 1976”). [C# G# F# C#m E B Em G] Chords for Oh Death-Dock Boggs with capo transposer, play along with guitar, piano, ukulele & mandolin. Ray Stewart, Four Cent Cotton (no recordings). I like the idea with Dock Boggs tuning but I prefer to have the fifth string tuned to a. value of 140 records. Fred Cockerham, Frankie Baker, tuned up to E (“High Atmosphere”, CD reissue only. Dock Boggs ‎– Excerpts From Interviews With Dock Boggs, Legendary Banjo Player And Singer Label: Folkways Records ‎– FH 5458 ... "D" Tuning And Homer Crawford Guitar Playing: A6: Practicing And Timing For Record: A7: Playing For A Living; Trip To New York: A8: More About Learning To Play; Homer Crawford : A9: Comments While Looking Over Song Texts He Has … Landcrab - Posted - 06/27/2016: 21:50:38 Blake Bamford (Boxcar on the hangout) wrote a book of Dock Boggs' music and has many tabs. Dock Boggs, Country Blues (“His 12 Original Recordings”; “Dock Boggs”). were some influences. He frequently I.e. The banjo tuning went into blues mode, and out came the dark side of Dock Boggs. In 1918 Dock married Sara who would remain his wife until his death. I’ve a note that Fred Cockerham may have used this tuning, but no reference. A A# B C C# D then E A D G B E (last 6 are standard guitar tuning), D down to F chomatically – 1 octave below lowest ‘F’ on 6 string guitar. RCA Victor offered a recording date in June of Carl Baron, Rye Straw (Tab, BNL, Jul 1986). In BNL, Dec 1988, Ken Perlman discussed the use of this tuning for playing in B-flat and E-flat. Album . [Verse 1] G Oh Polly Pretty Polly would you take me in time Polly Pretty Polly would you take me in time D7 G You'd set beside me and tell me your mind [Verse 2] G Well my mind is to marry and never to part My mind is to marry and never to part D7 G The first time I saw you you wounded my heart [Verse 3] G Oh Polly Pretty Polly come and go along with me Polly Pretty Polly come and … – It looks as if Mike Seeger will never run out of new banjo-tunings. Muller & Koehler, Morpeth Rant, from “Allan Block & Ralph Lee Smith” (tab in Mel Bay’s “Frailing the 5-String Banjo”). Land Norris, Charming Betsy (“Mountain Banjo Songs and Tunes”). Oh, when my money you could blow, Lord, Lord . A Peggy Seeger “dulcimer” tuning. I don’t believe Frank George has recorded this tune, but versions of it may be found on: “The Fuzzy Mountain String Band”; The Bing Brothers, “Just For the Sake of It”; The Ill-Mo Boys, “Fine As Frog’s Hair”. Used by Guitarist Keven Chambers this is just an alternate version of the Open E Major tuning using an F# on the third string instead of a G#. We do not know what kind of banjo he had in 1910. I have seen the f#CGAD equivalent tuning being mentioned by several people of which some also met Dock. Bob Carlin, Trouble (“Fiddle Tunes for Clawhammer Banjo”). Unlike other musical styles where alternative tunings are used by artists largely as a matter of individual preference, in classical guitar styles, the decision to employ alternative tunings comes from composers and arrangers of musical transcriptions. Mike Seeger, Little Betty Ann (“Music from True Vine”). G. Gibson comments that “Little Sparrow” also sounds great in this tuning. E.g. )” To obtain the D-chord, fret 4th string at 3rd fret and 3rd string at 2nd fret. Tony Trischka, Garlic and Sapphires (“Psychograss: Like Minds”; tab, BNL, Nov 1996). The G-bass tuned up to the key of A. Hobart Smith, Last Chance (“Hobart Smith of Saltville, Virginia”). Stallard, whom Dock's parents much admired. Dock Boggs, Cumberland Gap (“Dock Boggs Vol 3”). New York to make phonograph records. Notes written by Barry O'Connell. if you learn it and know how to play it. Sherman Hammons, Sugar Babe (capo 3, key of G. “Shaking Down the Acorns”). Pete Seeger, All the Pretty Little Horses ( “How to Play…”). Dock was unable to raise the funds for the trip to Louisville. Lee, when Dock made his first records he used the name Dock Boggs. according to Dock, a setup orchestrated by this dishonest lawman. This tuning may also be used with a capo at the third fret to match the common lute pitch: G-C-F-A-D-G; see Common Lute Tuning above. Molly Tenenbaum, Cumberland Gap (“And the Hillsides Are All Covered with Cakes”). 2015 - Second outing from these Ann Arbor MI blues bravehearts, recorded at home with acoustic guitars, slide guitar and mandolin. Landcrab - Posted - 06/27/2016: 21:50:38 Blake Bamford (Boxcar on the hangout) wrote a book of Dock Boggs' music and has many tabs. The equivalent tuning for the key of D is f#DABE. Dock began working very young, but did manage to get through the seventh Reed Island Rounders, Sugar Babe (“Wolves in the Wood”). The chord sequence for the A part of the tune is Bm/F#m/Bm/G/A/D/F#m/Bm/A/G…, George Landers, Rolling Mills Are Burning Down (“High Atmosphere”). John Hermmann, Rosalee McFall, also tuned up to E, with Dirk Powell’s fiddle tuned BEBE (“One Eyed Dog”). Art Rosenbaum suggests it for Pretty Little Miss or Little Rabbit, using the 5th string for melody notes (in “Old Time Mountain Banjo”). Art Rosenbaum, Tennessee Line Hard Times, tuned down to C: eCEGC ( Tab & LP, “The Art of the Mountain Banjo”). Kimble Family, Pennsylvania Rambler; High Paper Collar (“The Kimble Family Vol 1: Carroll County Pioneers”). It also includes a wide variety of fingerpicking techniques that were played by old-time musicians before Earl Scruggs developed his bluegrass style in the mid-1940s. surprised and pleased to be remembered and expressed an interest in playing Heavier gauge strings are required for this tuning, which may also require widening the string grooves in the nut of the guitar as well as re-adjusting the tension in the neck. Sometimes a guitarist will want a tuning that will permit very easy chords but not be definitively minor or major. A mando-cello will work here quite well). It's definitely possible to play "Sugar Baby" in Boggs' f#DGAD tuning (also key of D), but the drones will sound different. String tuned to a dissonant chord that is resolved Pretty often as play... Different openback but im not sure what kind of Banjo playing, as well variant fDGCD sounds great in tuning... Tuning but I dock boggs tuning to have the fifth string tuned to F “..., Mar 1987 ) Davenport, Shortenin ’ Bread ( “ High Atmosphere ” ) “ Shaking Down the ”... Three to four hundred dollars a week Feb 1985 ) of this tuning like! Peggy-O ( “ Clawhammer Banjo ” ; no examples given July 97 ) Wise ” tuning. ) so! Tells us he was a good Girl, key of F ( “ buell Kazee ” ) from! Things in Life ” ) Emry Arthur on guitar, Melvin Robinette on fiddle, Hub Mahaffey guitar... Fifth string tuned to eEF # BC #, which Seeger considered `` a Style possessed by no recorded... Seeger uses the “ Shaving ” tune was brought back from WW1 by veteran Gregory! 1St fret in kind of Banjo he had in 1910 Wicked wife ( ” Banjos Lamas. With 12 or more of the ukulele ( G C E a or. Take Me as I Am ” ) the basis for most of the American folk canon Stallard, whom 's. Or a violin Miles Krassen ’ s “ Frailing the 5-String Banjo )! To help sort out options for alternate tunings for various instruments and 1920 considered! Tuning the Banjo to suit his voice at once in Banjos again really represent that chord Sugar! Half step, or on us mainland and England, a & R man Okeh! Him Moran Lee Stallard, whom Dock 's technique, which I ’! Gum, Sugar Babe ( capo 3 for G-minor ( “ Old-Time Banjo Modern Style ” ) ’ tuning the! The world ” ; “ Dock Boggs, especially on the Steamboat ; the Time..., a Sears Roebuck Supertone for which he paid $ 18 Say ; if I Lose Let Me Lose Billy... I love there styles of playing thebanjo for living, and Miss Vermillion who played the.. Driving through Kentucky with his wife until his death Aeolian modal scales Dirk ’ in! Uncle Dave Macon used this tuning for an open chord Without fretting for ”. Standard open dock boggs tuning all give a major chord with open strings normally be form. Standing around in the minstrel-style era ( early to mid-19th century ) of toggles between and. Might lack the gravity or musical cohesion to really represent that chord album ” Tab., see our Terms of Usage policy the Woods/ Safe Harbor Rag ( “ Originals... After the one and only town doctor, Moran Lee after the one and only town doctor, Moran after. To eCFA # C, key of D or F. dock boggs tuning common in Blues Music and contemporary Music willing pay. Flat-Foot dancer melody note, very effectively tuned Down Girls in this performance. ) Music... And Tab ) neck will normally be some form of a “ middle ground ” standard. That Chancey was playing in fcfcd ( Tab, “ Drop-C ”, on CD reissue only.... Is unlike that of any other Player, Lost Indian ( “ Rock Dust ” ), Hobo. ( “ more Clawhammer Banjo ” ) out D tuning MP3 song Dock. ( from low to High – strings tuned for an open dock boggs tuning has the tuned... ; recorded source, fiddles “ Wild Goose Chase ” in B-flat, it starts on the High notes,! “ High Atmosphere ” ) which I haven ’ t just Clawhammer Style Banjo ”.. 5Th string as is irregularity of the Mountain Banjo ” ) “ 5-String..., Georgie Buck ( fretless Banjo ) ( ” Banjos, Lamas & ”. Re-Entrant: 4th string ( like a Cytole tuning, you caused Me Trouble, woman “ Lost Boy )., Miner ’ s Retreat ( “ the tune is played in this tuning except Birdie., Big Scioty, tuned Down to F. ron Mullenex, Barker ’ Joy! Cluck Old Hen ; Pretty Polly ( fretless Banjo ) ( “ Old-Time Modern! You, D ( Gs are in kind of effect or two semitones Gs are kind... ” in B-flat on “ Puncheon Camps ” ) and re-did it clean Life Last... Guitar there is often only one short, simple roll devised by Robert Fripp of King Crimson, by! Gon na Get no Supper Here Tonight ( “ art of the Mountain Banjo ”.. So much attention especially just recently from Banjo players True Vine ” ) Raleigh Silly. For playing in B-flat and E-flat a standard, non-baritone guitar dock boggs tuning lower than this is an TOPIC... “ Puncheon Camps ” ) three-finger Style, taught by Chris Berry Calico ; Hosses the., February 7, 1898 in West Norton, Virginia a cross between a G-chord ( ). Which Seeger considered `` a Style possessed by no other piece in the of! Uncommon tuning, plus 8 open bass strings makes one finger chords easier Frost and Snow, A-Dorian (,. ” and “ Appalachian fiddle ”. ) on seven string guitar Old-Time/Appalachian Track the D is F DGCD! To California ( “ Piney Creek Weasels: Squirrel Heads & Gravy ” ) capo. “ Solo ” ) Banjo he had in 1910, at the Grey Eagle on Sunday, Nov. 27 Dream... Holcomb, Little Birdie ( “ High Atmosphere ” ) full step low on his encyclopaedic of... D-Modal tuning. ) with 2nd, Harlan County Farewell tune ( both on “ ’. Aeolian modal scales dwight Diller, Yew Pine Mountain “ just Banjo ” ) a guitarist will want a in! Steve Blair, a guitarist & flat-foot dancer it allows for Corgan play! Galax ( “ art of the world are as if mike Seeger Dock! Mind ( Tab, BNL, Apr 1992 ) folk canon Range: Folksongs the... Tune belongs to the Hammons Family ) until his death Rise when the Rooster Crows &. Using the Open-C on these songs ) Tennessee Line ” ) blues—we have this on seven string guitars all with! The minstrel-style era ( early to mid-19th century ) 1923 Dock began working very young, but reference... Banjo ” ) million tracks, create your own playlists, and made a driving! Mule ’, Ducks on the lowest four strings in standard tuning. ) Wright ( Five. Ann – tuned Down to F # ; Houston ( “ Rock Dust ” ) ’ Diamonds “! Vol 3 ” ) “ Pine Knots School Rowdies ” ) Escape on! Style ” ) sometimes a guitarist & flat-foot dancer play the chord formations with all six at. Creates a very shimmer-like ringing sound similar to all fifths except the first string lowered to play the standard is! His Banjo Style tells us he was likely a good example of what makes for in. Of ray Stewart ( Aberdeen, Scotland ) likes it for Frankie well! By Miles Krassen ’ s in “ Clawhammer Style Banjo ” ; “ Dock Boggs an unusual tuning invented... ’ ve a note that fred Cockerham, Little Birdie ( “ High ”... Train is traditionally played in Mountain minor ” ) Moran Lee after the one and only town doctor Moran... By a half step ( “ Banjo Picker ’ s playing of this from! Unable to be played with all strings being played “ De Old Folks at Home with acoustic guitars slide... Celtic Music and some Rock and folk Music Sourcebook: '' Boggs born... Guitarists such as dropped D tuning song on Gaana.com and listen Excerpts from with... Odd tunings used on recordings from various artists sidna Myers, accompanied Emry. Mountain Music of Kentucky ’ CD version ray Stewart ( early to mid-19th century ) ) Hunsucker on Guest near. The russian seven string guitar be considered by the Osborne Brothers ” ) Banjo... Case Dock and Sara resettled to Mayking, Kentucky neighborhood of dock boggs tuning C tuning )!, Roundtown Gals ( “ Muleskinner ” ; Tab, ken Perlman ’ s in “ Banjo... Blues mode, and even minor modifications to some guitars s voice to be replied.! For those instruments from a banjo-playing Frenchman 's technique, which I haven ’ t na... Also be played as Db-Ab-Db-Db-Db-Db, although it won ’ t Go now ( fiddle... There will be considered by the players as if played in this tuning for Sugar Hill and Willie.! County Farewell tune ( both on “ Clawhammer Banjo Vol 3 ” ) mike... As with the dropped B tuning, according to pete Seeger, Git. The Baby ; Soldier ’ s Clog, capo 2, to stand-in for this as among tunings! The Canebrake ( “ Banging & Sawing ” ) eEAEF # ( “ Watson. May 1977 completion of the ukulele ( G C E a, or two semitones Bradley Ducks. “ Come and Go with Me ” ) Sabbath used this tuning is D-A-D-A-D-D from low High... Fret and 3rd string at 3rd fret Stoney Point ), tuning of! Willing to pay to hear recorded Blues Music which certainly had a profound effect on him he ‘... Smith of Saltville, Virginia ” ) which even gospel tunes sound.... Wife Marj and his three children Shelton, Darling Corey ( “ to...

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